Recent Movies

Insidious: Chapter 3

Story: This prequel looks back at events that occur before the Lambert family hauntings that led to the first two parts of the series. Elise Rainier (Shaye) is coaxed into using her gift to help the young Quinn (Scott) reach out to her deceased mother Lillith (Keats). However, Quinn learns that contacting the spirit world has some terrible consequences.

Cast: Dermot Mulroney, Stefanie Scott, Angus Sampson, Leigh Whannell, Lin Shaye, Tate Berney, Ele Keats
Direction: Leigh Whannell
Genre: Horror
Duration: 1 hour 37 minutes


Review: The prequel to the successful horror series is helmed by a new director this time around, bringing you a mixed bag of treats, or scares, to be more appropriate. Surprisingly, there is even the odd joke or two (perhaps to ease the tension a bit during intense parts in the narrative) that might or might not work for you, depending on whether you prefer your horror fare to be dead serious.
Quinn's curiosity regarding the supernatural in general and contacting her deceased mom in particular leads her to Elise's home, where she tells the latter how much she misses her mother. Elise reluctantly agrees and tries a preliminary session, only to be terrified by a demonic voice that scares the living daylights out of her. She snaps out of it and warns Quinn, "You call out to one of the dead all of them can hear you."

However, Quinn's attempts to contact her mother have already caused a demon who wants her soul, to latch on to her. It gets more brazen in its physical manifestations till Quinn's very life is threatened. Her dad Sean (Mulroney), Elise and a self-styled ghostbuster pair have to rescue her before she is finished.

Whannell certainly takes his time to create a sense of dread. This is in contrast to the latter part of the film, where there are some overly loud moments. The film is high on ominousness, especially those dark atmospherics when Elise slips into the 'Further', a place fraught with danger. With the prequel and the subsequent two films now covering the gamut of scares, it's clear that the next one in the series will have to have some new ideas to keep the franchise fresh.
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Inside Out

Story: When Riley (Dias) moves to San Francisco from Minnesota, she is anything but pleased. Her personified emotions - Joy (Poehler), Fear (Hader), Anger (Black), Disgust (Kaling) and Sadness (Smith) - balance out her feelings while living in her mind's 'Headquarters'. They now try to help Riley adjust to her new home while dealing with an emotional imbalance caused by Sadness.
 
Cast: Amy Poehler, Phyllis Smith, Richard Kind, Bill Hader, Lewis Black, Mindy Kaling, Kaitlyn Dias, Diane Lane
Direction: Pete Docter
Genre: Comedy
Duration: 1 hour 42 minutes


Review: What will strike you immediately about this movie is just how novel the entire concept really is. Just like some of the really good animated movies we've seen in the past, this one quite literally has a cerebral angle (pun intended in this case!), so to speak. It puts the emotions of a child front and centre.
Riley's memories are represented by color-coded orbs that the Emotions organize in an efficient and orderly manner every night when she sleeps.On the first day at her new school, Sadness touches a happy memory orb in Riley's mind by mistake, causing a chain of events that leads to Sadness and Joy being sucked out of HQ (that is connected to places like 'Friendship Island' and 'Goofball Island') into a remote part of Riley's mind. They have to find their way back to HQ before Riley's life turns topsy-turvy.


Anger gets into his element when the other emotions fail. Disgust is fuelled by a bit of ego and self-esteem while Fear takes caution to the extreme, keeping self-preservation in mind.


The various aspects of Riley's mind are depicted in the most creative of ways. The Memory Dump is literally that - a repository of forgotten thoughts and experiences. Dreams are produced on a film set (called the 'Dream Factory') in her mind and there's even a surreal room representing abstract thought, where Joy, Sadness and an imaginary friend of Riley's get a Cubist makeover, followed by a two-dimensional rendering. Really clever stuff.

Dressed up in colourful and wildly imaginative garb - yet making sense every step of the way - Inside Out can be enjoyed by a variety of age groups and is both nuanced and sensitive without sacrificing the fun angle.
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Entourage

Story: Vincent Chase (Adrian Grenier), Eric 'E' Murphy (Connolly), Johnny 'Drama' Chase (Kevin Dillon), Turtle (Jerry Ferrara) and Ari (Jeremy Priven) are back, and this time, their escapades are told in feature-film length. Vince is looking to get on to something new with regards to his work post the ashes of his marriage, which lasted just a few days. Vincent now has his directorial debut called Hyde to deal with. The movie is about how they go about putting together this film, and the various issues related to it.
Cast: Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara, Jeremy Priven, Haley Joel Osment, Emmanuelle Chriqui
Direction: Doug Ellin
Genre: Comedy
Duration: 1 hour 44 minutes



Review: Fans of the TV series will have plenty to get their teeth into here, for this movie is for all practical purposes like an extended version of an episode with of course, plenty more details (and its own brand of hedonism for good measure) all thrown into the cinematic mix.

So, Ari, Vincent and gang are all pretty confident that their project will go on to break the box office and rake in big bucks. Everyone is pretty much convinced, except the Travis McCredle (a grown-up Haley Joel Osment, come a long way from his The Sixth Sense days), who is the son of the guy who is bankrolling the film, producer Larsen McCredle (Billy Bob Thornton). It turns out that McCredle Jr wants some key changes to be made in the film. In time, the gang realizes what the source of Travis' concern really is.

If you're not too familiar with the TV series, a bit of catching up with a couple of episodes might help. But that being said, director Doug Ellin (who, fittingly enough, is also the creator of the same show) keeps the plot fairly simple enough for the casual or first-time viewer to figure out what's going on. And, as with the show, the movie has plenty of plenty of cameos. You might on one hand, find the main characters a bit too breezy, but those familiar with the various seasons of the show will find all of what they see to be reassuringly familiar and fun.
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Spy

Story: A CIA agent who has a boring job gets the chance of a lifetime to escape her backroom drudgery and get some real action. She volunteers to go undercover and help bust some dirty deeds done by a shady arms dealer (Rawi) who wants to sell a nuke to terrorists.

Cast: Jude Law, Melissa McCarthy, Jason Statham, Jessica Chaffin, Rose Byrne, Sam Richardson, Peter Serafinowicz, Bobby Cannavale, Miranda Hart, Allison Janney, Raad Rawi, Nargis Fakhri
Direction: Paul Feig
Genre: Comedy
Duration: 2 hours 1 minute



Review: Every once in a while, there comes along a spy movie that straddles the line between not taking itself too seriously and not floundering in a soup of slapstick send-ups. Spy, with its female protagonist who looks and behaves like anything but a spy (seriously!) not only carries a feminist torch in terms of attitude, but is also aided by the kind of invective-laden vocabulary that would make a sailor blush.
Susan Cooper (McCarthy, brilliant) languishes in the doldrums as far as her career is concerned. This has taken a heavy toll on her self-esteem. Making a strong visual metaphor to support this is the fact that she is consigned to the rat and bat-infested basement of the CIA's Langley HQ. Her role is to support the dashing agent Bradley Fine (Law, on point) in his various espionage activities. He is the CIA's rockstar and Cooper has a huge crush on him. She hopes that he'll see her as more than just a coworker.

Things get out of control when Fine's mission (to trace said nuclear device) is compromised and his MI6 counterpart Rick Ford's (Statham, rip-roaringly hilarious) cover is also blown. Therefore Susan, who none of the bad guys will suspect, insists that she be sent to Paris to shadow the daughter of the arms dealer, Rayna (Byrne) who has now found a buyer for the warhead, the smarmy Italian playboy Sergio (Cannavale).

Feig manages to pay homage to the spy genre as well make Spy mercilessly take the mickey out of the genre. Cooler still are the gender inversions. Three of the strongest characters - Susan, Rayna and Cooper's CIA boss Elaine (Janney) - are female. Fakhri is adequate.

Spy manages to combine humour and intelligence into one really entertaining package.
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Jurassic World

Cast: Chris Pratt, Bryce Dallas Howard, Irrfan Khan, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, BD Wong, Judy Greer
Direction: Colin Trevorrow
Genre: Action
Duration: 2 hours 4 minutes

Story: A little over two decades after what occurred at the old Jurassic Park, the action now takes place on an island off the coast of Costa Rica that is home to a massive and carefully monitored dinosaur theme park. A group of brilliant scientists have created a hybrid dinosaur called Indominus Rex as the star attraction of the facility. Their new 'creation' so to speak, goes on a rampage and threatens the lives of everyone in Jurassic World.

Review: Jurassic World evokes the same sense of excitement and awe that we saw in the very first Jurassic Park movie and builds on it, giving the creatures we see on screen a palpable sense of realism, that's completely compelling. Two brothers, Gray (Simpkins) and Zach (Robinson) are left in the care of their aunt Claire (Howard) by their emotional mom (Greer) in Jurassic World for a day of fun in that prehistoric paradise.
The park owner, Simon Masrani (Khan, who nails it) has big ideas for the future of Jurassic World, thanks to the crowd-pulling power (they hope!) of the Indominus Rex, and he is supported in his plans by marketing whiz Claire. However, Owen (Pratt) who has raised four velociraptors, doesn't really like the way Claire treats the dinosaurs like numbers on a spreadsheet rather than living creatures. His approach is hands-on, rather than the others who monitor things from a safe distance. Claire and Owen's chemistry however, is apparent from the first frame that they share.

Owen, an ex Marine, also doesn't see eye to eye with Hoskins (D'Onofrio), an arrogant defence contractor who would rather train the dinosaurs with implanted gadgetry to be potential weapons of war, replacing human soldiers. Later on though, it is only Owen and Claire, with a little help from some friendly dinosaurs, who can save the day. Although the film is safely formulaic, it is executed with finesse. The effects are superb, the action is supersized and ultimately, if there is just one word that can describe this movie, that word would be 'awesome'.
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The Duff

Story: During a party, college football star Wes (Amell) tells his buddy Bianca (Whitman) that she is a 'DUFF', or 'Designated Ugly Fat Friend' and guys are only sociable to her in order to get with her good-looking girlfriends. Shocked, she tries to reinvent her look in order to win over Toby (Eversman), who she's hot for.

Cast: Mae Whitman, Robbie Amell, Bella Thorne, Bianca A. Santos, Skyler Samuels, Ken Jeong, Nick Eversman
Direction: Ari Sandel
Genre: Comedy
Duration: 1 hour 41 minutes


Review: Ari Sandel bases this story on Kody Keplinger's novel of the same name and gives us a lighthearted yet telling look at the kind of peer pressure that some US high school students face. So systematic is the improvised 'class system' is that there are even innocuous-sounding acronyms designed to conveniently categorize peers into neat slots. Bianca has great grades, yet she doesn't realize that guys are nice to her just to use her like a 'gateway' to approach her bombshell babe buddies Jess (Samuels) and Casey (Santos). Bianca has both wit and candor but she wears pajamas to school and is decidedly frumpy.
She is pissed off with Wes for his bluntness ("On an average day how many people ask you questions about Jess and Casey, and how many about you?" he asks her) but at the same time, is appreciative that he serves her the truth straight up. They make a deal to help each other out. He will help her change her look and mannerisms into something that conforms to what her peers consider cool and she will help Wes with his science grades so that he can get his sports scholarship for college.

Cyberbullying is also represented when Wes' jealous girlfriend Madison (Thorne), in order to shame Bianca, secretly shoots a video of the latter acting goofy while trying on new clothes in the local mall, and it goes viral. The manner in which Sandel sets up Wes and Bianca's building chemistry makes the way in which this film plays out pretty obvious. Despite the very predictable way the movie moves along, the message here is simple, well-known and comfortingly reassuring - that if someone loves you, they will do so because of who you really are on the inside.
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The Age of Adaline

Story: A road accident one fateful night changes Adaline Bowman's (Lively) life. After her car crashes, a bolt of lightning strikes her and due to a number of other weather factors being in alignment, her cellular makeup is altered as a result. And so, the ageing process is halted at a genetic level. Adaline reconciles herself with the fact that she will outlive everyone she knows and so, shuns love. Until one day, when Adaline meets the true love of her life.
Cast: Blake Lively, Michiel Huisman, Harrison Ford, Ellen Burstyn, Amanda Crew
Direction: Lee Toland Krieger
Genre: Romance
Duration: 1 hour 52 minutes
 
Review: The whole idea of not ageing a single bit beyond the age of 29 would be enviable to many and the bane of the beauty industry. Adaline's contemporaries are eternally curious about the secret of her everlasting youthfulness. "French face cream", she hurriedly tells one, before rushing off. Adaline met with her accident in 1937 and - as a faux professor-like voiceover diligently informs us in the film- a moon phase had a combined effect on the tides of the ocean as well as an ionizing effect on the Earth's atmosphere. To Adaline, being genetically frozen in time is a millstone rather than a miracle. An aberration that prevents her from having any kind of meaningful relationships because she knows she will outlive absolutely all of them.
But the dashing and bordering-on-brash Ellis (Huisman) comes along during a New Year's Eve party and as far as Adaline is concerned, he is in it to win it. Although Ellis thinks Adaline is icy, she is actually bowled over. She gets a taste of lasting happiness as she gradually lets Ellis into her world, much to his delight. But even as she realizes that he is the one for her, she must also one day, tell him about the accident.

Apart from these two strong characters, it is Harrison Ford (playing Ellis' dad William) who proves his vintage with a performance that is both sensitively executed and thoroughly convincing. Apart from an ending that seemed a tad stretched and the voiceovers that were unnecessary, this is an unusual and engaging saga of everlasting love.
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